POLAROIDS IN A PILE, ALL OF THEM CAPTURING AN ESSENCE, NONE OF THEM WITHOUT IMPERFECTION. IT’S NOT WHO I AM, IT’S JUST WHERE I WAS THAT DAY. SUNRISE TO SUNSET ALLOWS ME TO BELIEVE IN THE SPIRIT OF THESE WANDERING MOMENTS AND SEE THEM AS A SNAPSHOT OF THAT DAY, THAT TIME. “COUPLE OF TAKES, KEEP THE MISTAKES.” AND WHATEVER I FINISH IN A SINGLE DAY IS THE RECORD. I’VE APPROACHED EVERY SINGLE ONE OF THESE RECORDINGS WITHTHE SAME MINDSET. ALSO ALONG THE WAY, I’VE FOUND DISCREET POCKETS OF TIME HERE AND THERE TO SIT ON THE PORCH AND WANDER. IN THAT TIME, I’VE TRAVELED THIS COUNTRY AND BEYOND MANY TIMES, MET A HOST OF TRULY INCREDIBLE PEOPLE, GROWN OUR FAMILY TO INCLUDE TWO BEAUTIFUL CHILDREN, BURIED TWO GRANDPARENTS, WATCHED OUR RESILIENT COMMUNITY FIGHT TO MAINTAIN ITS SOUL AND ALONG THE WAY, GATHERED AN IMPRESSIVE COLLECTION OF MOMENTS THAT MAKE ME BELIEVE AND TRUST THE GOOD IN PEOPLE. I DON’T KNOW IF THEY GOT ME TO WHERE I WAS SUPPOSED TO BE GOING, BUT THEY DAMN SURE BROUGHT ME TO RIGHT HERE AND RIGHT NOW. I WILL NEVER REGRET IT, FOR THOSE WANDERINGS HAVE BEEN MY MOST FORMATIVE TEACHERS. WANDER AROUND THE FEELING AND LET THE INSTRUMENT SAY WHAT IT WANTS TO SAY. I START WITH GOOD INTENTION, LIKE WE ALL DO, AND THEN I GUESS I JUST WANDER. “I CAN TELL HE’S PRACTICING, HE’S JUST NOT PLAYING WHAT I’M ASSIGNING HIM.”, I’D OVERHEAR IN HUSHED TONES WHEN MY PARENTS PICKED ME UP FROM LESSONS. SINCE I WAS A CHILD, THE SAME STORY YEAR AFTER YEAR. WE SAT THERE NODDING IN SILENCE, TAKING IT IN LIKE CHILDREN. RECENTLY, I LEFT A RAUCOUS LATE NIGHT SECOND LINE DOWN IN NEW ORLEANS FOR SOME FRESH AIR AND ENDED UP SITTING ON A HOUSE STOOP WITH MY FRIEND DEREK WHILE SOMEONE INSIDE THE HOUSE BEAUTIFULLY WORKED THROUGH SEVERAL CHOPIN ETUDES.

IT’S LIKE THE HUMAN SPIRIT IS ALIVE AND WELL IN THERE AND THAT REASSURES ME. I’M NOT EVERYBODY, BUT I LOVE TO HEAR THE SOUNDS OF LEARNING INSTRUMENTS DRIFTING FROM THE INSIDE OF A HOUSE. I BEGAN TAKING MY BANJO AND GUITAR ON THE FRONT PORCH, STARTING IN THE SPRING OF 2009. WE CHOOSE TO SIT OUT HERE AND GREET THE DAY AS IT PASSES BECAUSE TIME EASES RIGHT ON BY AND YES FOLKS DO STILL WAVE TO EACH OTHER. THERE’S NO HIDING FROM THE THE OUTSIDE WORLD.

OUR FRONT PORCH, OR SOUTHERN LIVING ROOM, OPENS TO THE STREET WHERE WE LIVE IN DURHAM, NC. AS FAR AS I CAN SEE WILL BE RELEASED DIGITALLY ON 3/26, ALONGSIDE A REISSUE OF HIS OUT OF PRINT INSTRUMENTAL CATALOG, THE COMPILATION WILL ALSO BE RELEASED AS A LIMITED EDITION DELUXE LP ON 5/24. AS FAR AS I CAN SEE CULLS COOK’S FAVORITE MOMENTS FROM OUT OF PRINT RELEASES, AS WELL AS FOUR UNRELEASED RECORDINGS, INTO A BRILLIANT COMPANION TO HIS MORE WIDELY RELEASED OUTPUT. THROUGHOUT COOK’S CAREER AS A PROLIFIC SONGWRITER, INSTRUMENTALIST AND PRODUCER - DURING WHICH HE HAS COLLABORATED WITH THE BLIND BOYS OF ALABAMA, BON IVER, THE INDIGO GIRLS, AND HISS GOLDEN MESSENGER AS WELL AS THE RELEASED TWO ACCLAIMED SOLO ALBUMS - PHIL HAS SPENT THE INTERSTITIAL MOMENTS CRAFTING GORGEOUS MELODIC MEDITATIONS ONWHATEVER INSTRUMENT IS LAYING AROUND AT THE TIME. AS FAR AS I CAN SEE: INSTRUMENTAL RECORDINGS 2009-2019 COMMEMORATES A DECADE OF PHIL COOK’S MORE INTIMATE MOMENTS.

Phil cook songwriter